Excerpt #13 — Larry Siedentop on Reason, Authority, and Will from Homeric Greece through the High Middle Ages

I am packing my library for a move, but dawdling in some of the books I should be carefully Tetris-ing into boxes. As I do, I am running across passages that are worth putting up here. Larry Siedentop’s Inventing the Individual is one of several works with such passages.

We have examined the Homeric idea of the good and goodness here before on Into the Clarities, and it is worth noting that the Platonic idea of the philosopher is set against the background of the ideal of the Homeric hero. We have also looked at the kind of cosmos in which the stars were thought to hold sway, such as in the opinion voiced by Seneca the Younger, below. Here below, the difference introduced by reason (λογος) in the ancient Homeric world stands out as remarkable; the post-Platonic and Late Antique model of reason is also contrasted with developments in the later Middle Ages. After Aquinas, the will played a more and more prominent role in anthropological models and in the way that individual virtue was understood. (On this note, see Bonnie Kent’s Virtues of the Will, which I also began dipping into.)  Continue reading

Poetry, Power, and the Arrest of Thought (Part One)

We must always be seeking better rituals and conventions; but we moderns tend to gag at these as stifling to freedom. So we Romantic moderns, especially we Americans, tend to see the issue as simple: rituals and conventions are likely bad, as they are almost certainly not good. Cowboys like things to be so simple. At some level of our common cultural judgments, inherited from our dual heritage stemming from both Puritanism and the Enlightenment, we see ritual and convention as oppressive Catholic priestcraft, or else as either Monarchical or Aristocratic elitist oppression. It is simply in the water here — even if one were to be an American Catholic Monarchist.

Plato was also quite wary of rituals and conventions of a sort that he called “poetry” (ποίησις, from ποιέω “to make, to show, to put/place”), although he practiced a form of it. Although his concerns about convention and “poetry” come from a different place than our concerns about convention and ritual, there are important lessons for us both where his concerns overlap with ours and where they do not overlap.

We are not ourselves terribly troubled by what we call poetry — which we see as perhaps an expensive or eccentric taste at worst, and as a liberating possibility for the human spirit at best. For us, it is decidedly not conventional, or ritual. For Plato, however, Poetry was something very different; when we translate the word ποίησις as “poetry” we collude with an infelicitous conflation of two very different enterprises. We consider “poetry” as part of the “arts”, but the ancient Greeks didn’t have a word to designate the group of disciplines and activities that we would call “art”. Instead, they had the word “τέχνη” (“skill”), which would cover the range of “τέχναι” from medicine to ship-building to masonry to cooking to farming to dancing to making love to poetry, &c. [1] Disambiguation is helpful. Were we to first trace some of the historical backdrop that occasioned Plato’s concern, we might be in a better place to understand Plato’s Socrates, only then later to see an overwhelming number of analogues in our own world.

Before we look at Plato, then, let us sketch a few outlines of the nature of “poetry” prior to him.
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John A. Bremer (1927–2015)

My friend John Bremer died this past November. He was 88, and lived a remarkable life. I loved him fiercely. Continue reading

“All Things are Full of Gods”, and Homer (and Hans Jonas)

I

In the world of Homer, it is difficult to think of anything that cannot be described as alive, from the highest power to the lowest impulse. The Homeric world restricts the title of “god” to something that is “deathless”, and this boundary between divinity and mortality cannot be crossed so as to make a mortal become immortal (V.440-442). Yet if we insist on the rigidness of this divide too strictly, we ignore the tissue of connections and participations between the deathless gods and mortal men.

The most obvious connections are through the half-god children of the sexual unions of gods and mortals (who receive special divine care, and mourning — the sons of Zeus and Ares, respectively). There are other connections, however, such as dream-visions (II.1ff.), prophets (who are given to “hear” divine speech [VII.53, clarifying the odd VII.44-45]), and especially through reciprocal gifts. These gifts include libation and sacrifice on the part of humanity (which secure protection, the failure to perform them making the gods wroth [V.177-178] even when such failure is merely due to human forgetfulness [IX.535-540]; the gods, it should be noted, take pleasure in these sacrifices [“savoring” the smell of them in I.66; IV.49; and, in a lesser sense, IX.500], and can even be said to “dine” on them [IX.535]). On the part of the gods, this reciprocity of exchanges can be seen in the “gifts” that they “lay on” people ([XIII.726-734, etc.] — for people are sometimes spoken of as godlike, and some are likened to the gods they have some symmetry with [II.169; III.16ff.; III.156-160; III.309; VII.47; VII.207-213; XV.603-606, etc.], and by which they are loved [so Aphrodite to Helen III.413-417]).

Focusing too hard on the divine-mortal spectrum, and the threads that connect the poles of it, overshadows not only the presence of divinity amidst mortality, but also occludes a feature of the Homeric world that it does not share with ours: the pervasiveness of life. In the increasingly rational environment that followed in the centuries after Homer, it is a short distance from presenting all things as full of life to Thales’ reported position that all things are modifications of water (the gods themselves come from Ocean in Homer), and Thales’ famous alleged statement that “all things are full of gods.” Continue reading

On Might and Right

Most people plot all things with reference to wherever they are, interpret all things from the little realm they occupy. We craft entire false narratives for the meaning of the artifacts we come across through the lens of the history that is familiar to us; thus, we misinterpret the word “good” when we read it in our earliest sources, plastering over it senses that are more familiar to us, and forget that we occupy a history, a world that began, and that will end.

Historical consciousness may be one of the characteristic features of the Secular Modern, but we are quite adept at parochial amnesia. This is a threat to what we have achieved, and obscures the principles that emerge in the reasons for the transition from the early aristocratic ideas about  “the good” to the more social and cooperative ideas about “the good”.

Without understanding the role of power in the aristocratic ideals of the earliest rulers, we cannot understand the problems that Plato addressed when he narrates Socrates’ interactions with Meno or Thrasymachus, nor can we understand Augustine of Hippo’s presentation of what lies at the heart of the civitas terrena, the earthly (rather than divine) city.

–but what is this model of power and authority, and more specifically, what was this earliest sense of “goodness”? Continue reading