In the previous post I glanced at the mythic elements that Star Wars aspired to at the outset (even if schlocky) before its slide into comic book-ism. I here basically concede that the mythic elements that were married, in the original Star Wars, to the Flash Gordon serialized storytelling format grew weak, and that the entertainment features are what are really central and enduring. Character drama may be the real heart of Star Wars. Unfortunately, the setting for these character dramas seems not to be an endless fountain of creativity, but an endless cage of self-reference and visual repetition. The Mandalorian shows that the franchise can hope to achieve escape velocity from this problem, but I am not holding my breath.
As I mentioned in the first post, were I to be responsible, I’d buy and read the recent biography of George Lucas before writing this (more likely, I’d listen to it on Audible). I’d look at the concept art books or the Ralph McQuarrie art boxed set or the storyboards for the original trilogy. I’d read the books that dealt with how the movies were made — volumes on A New Hope, or The Empire Strikes Back, or Return of the Jedi. I’d find and finally read my copy of How Star Wars Conquered the Universe, or any number of other texts that would give me access to the history of George Lucas, Lucasfilm, and the production dramas and decisions that resulted in so many of these films. (Buy those books! It will cost you the ordinary Amazon price, and I’ll get a few pennies to spend on the coffee needed to keep writing blog posts.)