The Economic Horizon

Insofar as every message has an audience, and every social institution has an appeal to certain demographics more than to others, both are limited by the economy. The degree to which a message/institution is limited and the number of niches to which it can address itself varies. We overlook these limitations of our beloved institutions at our peril. It may be that, given social differentiation, anything that claims to be universal needs to see what, exactly, its social form is. It may be something quite different from a universal — it may be a sect, or a special interest group, or something else. Economic pressures and patterns of social organization may be more universal in this age; it is not clear that modern Orthodoxy has a social articulation of a universal message about the resurrection of Jesus and the resurrection of the dead that could hint at a universal horizon whose myriad signs (charity, in all its senses) are bastioned in a minority group that does something revolutionary, something futural. Rather, modern Orthodoxy seems largely poised to sell as a product to certain niches, as is evidenced by the average educational attainment of its members (see the Pew study, below).

I had originally intended to publish this somewhere, in a different form; I leave it here for whoever may be interested in reading it — and to justify closing a number of tabs left open on my browser. :-)

Were I to write this properly, I’d go through Durkheim, Weber, Tönnies, Berger (and Berger, and Berger), Moore, Luckmann, Bruce (and Bruce), Stout, Warner, Pitts, Chambers, Giddens, Parsons, and Táíwò. Sadly, there’s only so much time, and a man needs to work. 

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Identity Politics: Impact versus Intent, 2.75 of 4

I have written previous posts, posts about these topics. Part one is here, two is here, two (.5) is here. I also wrote about Crenshaw here.

I have changed my mind a great deal on these matters since I committed to writing about them. Here, I think about the cultural trends indicated by some of these things.

Slight spoilers, below, for the show The Expanse. Continue reading

Brief Coronavirus Thought

This was originally a comment I made on a friend’s wall. Reposted here. Continue reading

Final Reflections on Star Wars — Entertainment.

I wrote one post about Star Wars, and then another. This is the last one. This is not my typical content. This is certainly catharsis.

In the previous post I glanced at the mythic elements that Star Wars aspired to at the outset (even if schlocky) before its slide into comic book-ism. I here basically concede that the mythic elements that were married, in the original Star Wars, to the Flash Gordon serialized storytelling format grew weak, and that the entertainment features are what are really central and enduring. Character drama may be the real heart of Star Wars. Unfortunately, the setting for these character dramas seems not to be an endless fountain of creativity, but an endless cage of self-reference and visual repetition. The Mandalorian shows that the franchise can hope to achieve escape velocity from this problem, but I am not holding my breath.

As I mentioned in the first post, were I to be responsible, I’d buy and read the recent biography of George Lucas before writing this (more likely, I’d listen to it on Audible). I’d look at the concept art books or the Ralph McQuarrie art boxed set or the storyboards for the original trilogy. I’d read the books that dealt with how the movies were made — volumes on A New Hope, or The Empire Strikes Back, or Return of the Jedi. I’d find and finally read my copy of How Star Wars Conquered the Universe, or any number of other texts that would give me access to the history of George Lucas, Lucasfilm, and the production dramas and decisions that resulted in so many of these films. (Buy those books! It will cost you the ordinary Amazon price, and I’ll get a few pennies to spend on the coffee needed to keep writing blog posts.)

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More Reflections on Star Wars — Myth?

I wrote a post about Star Wars. This is not my typical content.  I’ll post a few more. I may need some catharsis.

Here is one on the question of the mythic dimensions in Star Wars — or the question of whether, and to what degree, there are mythic strands in it. 

As I mentioned in the first post, were I to be responsible, I’d buy and read the recent biography of George Lucas before writing this (more likely, I’d listen to it on Audible). I’d look at the concept art books or the Ralph McQuarrie art boxed set or the storyboards for the original trilogy. I’d read the books that dealt with how the movies were made — volumes on A New Hope, or The Empire Strikes Back, or Return of the Jedi. I’d find and finally read my copy of How Star Wars Conquered the Universe, or any number of other texts that would give me access to the history of George Lucas, Lucasfilm, and the production dramas and decisions that resulted in so many of these films. (Buy those books! I’ll get a few pennies to spend on the coffee needed to keep writing blog posts.)

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