The Flags of the Dead and the Promise of the Future, Part 2 of 5

Continued from Part One.
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The Flags of the Dead and the Promise of the Future, Part 1 of 5

Among other component parts, the Modern world is irreversibly marked by the heritage of the Enlightenment; this Enlightenment strain inclines people and cultures to a very fraught relationship with the accumulated goods of their own history. What is the relationship between these accumulated goods, goods that have roots, as well as a people’s having roots, and the kind of forward-looking freedom and rationality that our Enlightenment inheritance champions and promises? I love the Liberal project, and I love my several heritages, but the two, it must be admitted, live in a kind of tension. 

It could be argued that part of the reason why America is a bastion of the Liberal project is because it is not located geographically in a place where ancestral identities call from the earth to stifle it;  even without this, we are not always clear about how to engage with, or remember, events that we all share, such as September 11. 

It saddens me that there are symptoms of people flirting with abandoning the Liberal project. Consumerist formation leaves us unfit to the task of negotiating a common identity that is not pre-packaged by others, certainly. More than this, the seeming escalation of terrorism (the most violent imposition of ancestral identity) and the amplification of xenophobia (the fear-driven in-group trend by which people huddle with some ethnos or heritage for comfort instead of negotiate shared identity) hammer at many Liberal polities at the moment. Quite alarmingly, some major figures have said that democracy is merely a train that one takes until one arrives at one’s destination, at which point one exits. The reader should find such comments frightening. Ergo, this post seemed to be warranted, for what little it’s worth.

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Confession: Why This is Not an Apologetics Website (Part Five)

As I noted in the previous post, this series begins with Part 1, which outlined my main reasons for rejecting apologetics because at best it merely uses what is public for factional ends (it also shuts down conversations and does a host of other awful things). It also carries forward from Part 2, which adds some autobiographical notes to the themes brought out in Part 1.

Part 3 recalled several things said to me by a professor I had concerning the nature of Christian identity. Part 4 covered a conference held regarding the prospects of an Orthodox Great Books school (and the conflict involved in the tension between a Great Books education and a decidedly religious one), and further covered problems with what I’ve heard some call the “postmodern” approach to theology found in figures such as Fr. John Behr.

Here, I summarize my own view — or, at least, the view that I have for now, and why it is incompatible with selling other people a religious identity (and so, with apologetics). After a brief explanation of one small feature of classical “ontology” (the “philosophy of being”) of the ancient world in VI, I’ll start with the relatively short answer in VII.

Finally, for those with any interest, the next post shall move into a more detailed explanation about what exegetical considerations lie at the backend of the short answer of section VII. After the next post, I don’t expect I’ll be writing any more on this topic, except historical work, likely a year or more down the road, to show the relationship between the pagan Classical tradition of philosophy and the early Christological formulae and literature. 

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Confession: Why This is Not an Apologetics Website (Part One)

The mission of this website was (and is) to write about secularity as our common situation, and other topics related to it (with a few poems and other related issues thrown in). It aims at treating what is public, and common. When I include Christian historical elements –and as they are heavy in many of the roots and in the trunk of much of the West’s history, they have been prominent in many recent posts on Christianization— these elements are, or aim to be, (1) historical in character (this is the most common), or (2) they aim to clarify certain kinds of religious configurations that appear in our contemporary situation (often critically), or else (3) they aim to trace the shape of viable commitments in the modern age. Christianity is part of everyone’s heritage in the West, because of where we come from, but in nearly every Western country, there is no communal commitment to Christian identity. A heritage is not an obligation or a commitment (at least, I’m not currently so persuaded), but it is public. The manner in which, and the degree to which, Christian commitments either are or are not possible, and the shape of the options that people take within the current time, reveal something about the peculiarities of our age. That is to say, despite the depth of feeling I may bring to anything I write, my primary aim is to exposit, rather than to exhort. (There are and shall be plenty of hortatory moments here, but they are not of that sort, and I don’t expect they shall be.) I shall bring such feeling to Nietzsche and Plato alike, so my enthusiasm is not partisan. I’m not interested in selling anyone anything.

Readers who have no (or no explicit) religious practice are often uncomfortable with my (Orthodox) Christian one, and readers who are self-consciously Christian are often uncomfortable with my insistence on the ubiquity and inescapability of secularity (though these almost always radically mis-diagnose what secularity and secularism are) — indeed, some of the more zealous Christians I meet seem to expect that my writing here on Into the Clarities must be to denounce secularity and to promote Christian practice and identity. It is to these two groups that these posts are addressed.

Neither evangelism nor apologetics is my goal here –indeed, apologetics is not something that is compatible with my beliefs and outlook– and I’d like to take the opportunity to explain why.

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Poetry, Power, and the Arrest of Thought (Part One)

We must always be seeking better rituals and conventions; but we moderns tend to gag at these as stifling to freedom. So we Romantic moderns, especially we Americans, tend to see the issue as simple: rituals and conventions are likely bad, as they are almost certainly not good. Cowboys like things to be so simple. At some level of our common cultural judgments, inherited from our dual heritage stemming from both Puritanism and the Enlightenment, we see ritual and convention as oppressive Catholic priestcraft, or else as either Monarchical or Aristocratic elitist oppression. It is simply in the water here — even if one were to be an American Catholic Monarchist.

Plato was also quite wary of rituals and conventions of a sort that he called “poetry” (ποίησις, from ποιέω “to make, to show, to put/place”), although he practiced a form of it. Although his concerns about convention and “poetry” come from a different place than our concerns about convention and ritual, there are important lessons for us both where his concerns overlap with ours and where they do not overlap.

We are not ourselves terribly troubled by what we call poetry — which we see as perhaps an expensive or eccentric taste at worst, and as a liberating possibility for the human spirit at best. For us, it is decidedly not conventional, or ritual. For Plato, however, Poetry was something very different; when we translate the word ποίησις as “poetry” we collude with an infelicitous conflation of two very different enterprises. We consider “poetry” as part of the “arts”, but the ancient Greeks didn’t have a word to designate the group of disciplines and activities that we would call “art”. Instead, they had the word “τέχνη” (“skill”), which would cover the range of “τέχναι” from medicine to ship-building to masonry to cooking to farming to dancing to making love to poetry, &c. [1] Disambiguation is helpful. Were we to first trace some of the historical backdrop that occasioned Plato’s concern, we might be in a better place to understand Plato’s Socrates, only then later to see an overwhelming number of analogues in our own world.

Before we look at Plato, then, let us sketch a few outlines of the nature of “poetry” prior to him.
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